{"id":9545,"date":"2025-11-06T01:39:50","date_gmt":"2025-11-06T01:39:50","guid":{"rendered":"https:\/\/cnews.topnewsource.com\/?p=9545"},"modified":"2025-11-06T01:39:50","modified_gmt":"2025-11-06T01:39:50","slug":"they-use-our-music-as-bait-billie-eilish-exposes-the-streaming-giants-free-model-that-leaves-99-of-artists-paid-less-than-0-004-per-stream","status":"publish","type":"post","link":"https:\/\/cnews.topnewsource.com\/?p=9545","title":{"rendered":"\u201cThey use our music as bait\u201d \u2014 Billie Eilish exposes the streaming giants&#8217; &#8216;free&#8217; model that leaves 99% of artists paid less than $0.004 per stream."},"content":{"rendered":"<p><span style=\"font-size: 14pt;\"><span dir=\"auto\">Pop star <\/span><b><span dir=\"auto\">Billie Eilish<\/span><\/b><span dir=\"auto\"> has strongly criticized the business model of ad-supported free tiers, accusing them of turning music into &#8220;bait&#8221; <\/span><b><span dir=\"auto\">to<\/span><\/b><span dir=\"auto\"> maximize advertising profits while exploiting artists&#8217; labor.<\/span><\/span><\/p>\n<p><span dir=\"auto\" style=\"font-size: 14pt;\">Eilish&#8217;s criticism highlights the imbalance in the current streaming ecosystem, particularly the huge pay gap between paid and free accounts.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span dir=\"auto\" style=\"font-size: 14pt;\">The &#8220;Bait&#8221; Business Model<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span dir=\"auto\" style=\"font-size: 14pt;\">According to Eilish, the free tiers (which rely heavily on advertising) are used as a \u201cbait\u201d to attract and retain billions of users. This helps the platforms solidify their position as attractive advertising channels, driving up their own value while the value of the music\u2014that is, the artists\u2019 intellectual property\u2014is reduced to almost zero.<\/span><\/p>\n<ul>\n<li><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Profit Prioritizes Advertising:<\/span><\/b><span dir=\"auto\"> This model prioritizes ad revenue and massive user numbers over properly compensating creators.<\/span><\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3><span dir=\"auto\" style=\"font-size: 14pt;\">\ud83d\udcc9 The Alarming Salary Gap<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span dir=\"auto\" style=\"font-size: 14pt;\">The unfairness is evident in the average payout per stream, especially between paid and free users:<\/span><\/p>\n<table>\n<thead>\n<tr>\n<td><span style=\"font-size: 14pt;\"><strong>Stream Type<\/strong><\/span><\/td>\n<td><span style=\"font-size: 14pt;\"><strong>Estimated Payment Level (Average\/turn)<\/strong><\/span><\/td>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Premium\/Subscriber Stream<\/span><\/b><\/span><\/td>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Usually from $0.005 to over $0.01<\/span><\/b><\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Ad-Supported Free<\/span><\/b><\/span><\/td>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Significantly low, often under $0.004<\/span><\/b><\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">YouTube Music (Ad-Free)<\/span><\/b><\/span><\/td>\n<td><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Estimated at $0.002 or less<\/span><\/b><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-size: 14pt;\"><span dir=\"auto\">This means that a budding artist would need <\/span><b><span dir=\"auto\">millions<\/span><\/b><span dir=\"auto\"> of streams from a free account to make a modest income. Even for big stars like Eilish, the actual royalties after label, management and taxes are only a small fraction.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span dir=\"auto\" style=\"font-size: 14pt;\">The Debate Over Payment Models<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt;\"><span dir=\"auto\">Eilish&#8217;s criticism adds to a larger debate in the music industry about the current royalty model, known as <\/span><b><span dir=\"auto\">the Pro-Rata<\/span><\/b><span dir=\"auto\"> (or Market Share Model).<\/span><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Pro-Rata Model:<\/span><\/b><span dir=\"auto\"> All subscription and advertising revenue is pooled into a common fund, which is then distributed based on a percentage of an artist\u2019s total streams across the platform. This model has been criticized for <\/span><b><span dir=\"auto\">favoring superstars<\/span><\/b><span dir=\"auto\"> and artists with huge streams at the expense of mid-level and emerging creators.<\/span><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><b><span dir=\"auto\">Proposed Solution:<\/span><\/b><span dir=\"auto\"> Many parties are calling for a move to <\/span><b><span dir=\"auto\">a User-Centric Payment System (UCPS)<\/span><\/b><span dir=\"auto\"> , where a listener&#8217;s subscription money would only be divided among the artists they <\/span><i><span dir=\"auto\">personally<\/span><\/i><span dir=\"auto\"> listened to. This would supposedly allow fans to directly support their favorite artists in a more equitable manner.<\/span><\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 14pt;\"><span dir=\"auto\">In short, Billie Eilish&#8217;s message is a warning: by turning music into a free and abundant commodity, streaming platforms are at risk of <\/span><b><span dir=\"auto\">devaluing<\/span><\/b><span dir=\"auto\"> the artistic labor that underpins their billion-dollar empires.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pop star Billie Eilish has strongly criticized the business model of ad-supported free tiers, accusing them of turning music into &#8220;bait&#8221; to maximize advertising profits while exploiting artists&#8217; labor. Eilish&#8217;s criticism highlights the imbalance in the current streaming ecosystem, particularly the huge pay gap between paid and free accounts. &nbsp; The &#8220;Bait&#8221; Business Model &nbsp;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-9545","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/9545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9545"}],"version-history":[{"count":0,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/9545\/revisions"}],"wp:attachment":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}