{"id":40365,"date":"2026-02-06T16:12:18","date_gmt":"2026-02-06T16:12:18","guid":{"rendered":"https:\/\/cnews.topnewsource.com\/?p=40365"},"modified":"2026-02-06T16:12:18","modified_gmt":"2026-02-06T16:12:18","slug":"its-just-a-loop-mariah-carey-names-the-one-music-genre-she-cant-stand-calling-it-boring-and-the-disco-of-our-time-af","status":"publish","type":"post","link":"https:\/\/cnews.topnewsource.com\/?p=40365","title":{"rendered":"\u201cIt\u2019s Just a Loop.\u201d \u2014 Mariah Carey Names the One Music Genre She Can\u2019t Stand, Calling It \u201cBoring\u201d and \u201cThe Disco of Our Time\u201d After Scanning Through 100 Songs on iTunes Without Finding a Single Good Track."},"content":{"rendered":"<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"a093c5f8-e4d1-4cb1-90e5-d1f932584877\" data-testid=\"conversation-turn-26\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"824755de-e1db-4987-9360-b328b2c01d7c\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\">\n<p data-start=\"194\" data-end=\"561\"><span style=\"font-size: 14pt;\">When <strong data-start=\"199\" data-end=\"240\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Mariah Carey<\/span><\/span><\/strong> talks about music, she speaks less like a pop star and more like a guardian of the craft. So when the \u201cSongbird Supreme\u201d recently reflected on the state of modern charts, her verdict landed with surgical precision \u2014 and zero mercy. There is one genre, she says, that has completely lost its soul: Electronic Dance Music.<\/span><\/p>\n<p data-start=\"563\" data-end=\"970\"><span style=\"font-size: 14pt;\">Carey revealed that her frustration crystallized during a simple act most artists do casually \u2014 browsing for inspiration. While scrolling through the Top 100 songs on iTunes, she realized something unsettling. \u201cI went through a hundred tracks,\u201d she said, \u201cand it felt like I was listening to the same four bars over and over again. It\u2019s just a loop.\u201d No bridge. No emotional arc. No payoff. Just repetition.<\/span><\/p>\n<p data-start=\"972\" data-end=\"1269\"><span style=\"font-size: 14pt;\">For Carey, that moment summed up everything she finds wrong with modern EDM. She described the genre as \u201cboring,\u201d overly mechanical, and obsessed with the drop at the expense of storytelling. To her ear, it represents a shortcut \u2014 music engineered for instant reaction rather than lasting feeling.<\/span><\/p>\n<p data-start=\"1271\" data-end=\"1326\"><span style=\"font-size: 14pt;\">Then came the comparison that set the internet buzzing.<\/span><\/p>\n<p data-start=\"1328\" data-end=\"1717\"><span style=\"font-size: 14pt;\">Carey called EDM \u201cthe disco of our time,\u201d predicting that, like disco in the late 1970s, it has been over-commercialized to the point of collapse. Disco, she noted, didn\u2019t fail because it lacked creativity \u2014 it burned out because everyone chased the same formula. In Carey\u2019s view, EDM is now trapped in that same cycle, endlessly recycled by pop artists looking for quick, club-ready hits.<\/span><\/p>\n<p data-start=\"1719\" data-end=\"2211\"><span style=\"font-size: 14pt;\">What makes her critique more pointed is that Carey is no stranger to dance music herself. Throughout her career, she embraced club culture through house remixes, famously collaborating with producers like <strong data-start=\"1924\" data-end=\"1965\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">David Morales<\/span><\/span><\/strong>. The difference, she insists, was intention. She always re-recorded her vocals, reshaping performances to fit the rhythm. Modern EDM, she argues, strips away that humanity \u2014 replacing breath, phrasing, and nuance with presets and predictability.<\/span><\/p>\n<p data-start=\"2213\" data-end=\"2603\"><span style=\"font-size: 14pt;\">Her comments arrive at a moment of creative confidence. Carey\u2019s 16th studio album, <em data-start=\"2296\" data-end=\"2335\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Here For It All<\/span><\/span><\/em>, released in September 2025, has been widely praised as a rejection of \u201cloop culture.\u201d Built around live instrumentation and layered vocal arrangements, the project leans into the qualities she feels the charts have abandoned: melody, structure, and emotional payoff.<\/span><\/p>\n<p data-start=\"2605\" data-end=\"2913\"><span style=\"font-size: 14pt;\">Tracks like \u201cSugar Sweet\u201d featuring <strong data-start=\"2641\" data-end=\"2682\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Kehlani<\/span><\/span><\/strong>, the retro-funk \u201cPlay This Song\u201d with <strong data-start=\"2721\" data-end=\"2762\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Anderson .Paak<\/span><\/span><\/strong>, and the gospel-driven \u201cJesus I Do\u201d with <strong data-start=\"2804\" data-end=\"2845\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">The Clark Sisters<\/span><\/span><\/strong> underline her point. These songs breathe. They build. They resolve.<\/span><\/p>\n<p data-start=\"2915\" data-end=\"3148\"><span style=\"font-size: 14pt;\">At 56, and freshly honored as the 2026 MusiCares Person of the Year, Carey isn\u2019t chasing relevance \u2014 she\u2019s challenging discipline. Her message to younger artists is blunt but clear: technology should support the song, not replace it.<\/span><\/p>\n<p data-start=\"3150\" data-end=\"3329\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"font-size: 14pt;\">Trends may loop endlessly, but Mariah Carey has built her legacy on climaxes, bridges, and emotion. And in her world, no genre that forgets those fundamentals can ever truly last.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"z-0 flex min-h-[46px] justify-start\"><\/div>\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"pointer-events-none h-px w-px absolute bottom-0\" aria-hidden=\"true\" data-edge=\"true\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>When Mariah Carey talks about music, she speaks less like a pop star and more like a guardian of the craft. So when the \u201cSongbird Supreme\u201d recently reflected on the state of modern charts, her verdict landed with surgical precision \u2014 and zero mercy. There is one genre, she says, that has completely lost its&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-40365","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/40365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40365"}],"version-history":[{"count":0,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/40365\/revisions"}],"wp:attachment":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}