{"id":34600,"date":"2026-01-20T07:09:25","date_gmt":"2026-01-20T07:09:25","guid":{"rendered":"https:\/\/cnews.topnewsource.com\/?p=34600"},"modified":"2026-01-20T07:09:25","modified_gmt":"2026-01-20T07:09:25","slug":"the-weird-song-by-bob-dylan-that-slash-of-gnr-never-wants-to-hear-again-i-played-lead-on-that-track-but-those-lyrics-are-just-nonsensical","status":"publish","type":"post","link":"https:\/\/cnews.topnewsource.com\/?p=34600","title":{"rendered":"The weird song by Bob Dylan that Slash of GNR never wants to hear again: &#8220;I played lead on that track, but those lyrics are just nonsensical.&#8221;"},"content":{"rendered":"<p data-start=\"42\" data-end=\"416\"><span style=\"font-size: 14pt;\">In the long, strange history of rock music collaborations, few encounters are as famously awkward as the meeting between <strong data-start=\"163\" data-end=\"204\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Bob Dylan<\/span><\/span><\/strong> and <strong data-start=\"209\" data-end=\"250\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Slash<\/span><\/span><\/strong>. Both are undisputed legends\u2014but when their worlds collided in 1990, the result was a song so bizarre that Slash has openly admitted he never wants to hear it again.<\/span><\/p>\n<p data-start=\"418\" data-end=\"764\"><span style=\"font-size: 14pt;\">That song is <strong data-start=\"431\" data-end=\"472\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Wiggle Wiggle<\/span><\/span><\/strong>, the much-maligned opening track of Dylan\u2019s album <strong data-start=\"523\" data-end=\"564\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Under the Red Sky<\/span><\/span><\/strong>. Featuring nursery-rhyme lyrics and a deliberately simplistic groove, the track stands as one of the strangest entries in Dylan\u2019s vast catalog\u2014and one of the most confusing moments of Slash\u2019s career.<\/span><\/p>\n<h3 data-start=\"766\" data-end=\"799\"><span style=\"font-size: 14pt;\">A Collision of Rock Royalty<\/span><\/h3>\n<p data-start=\"800\" data-end=\"1199\"><span style=\"font-size: 14pt;\">At the time, Slash was riding the peak of success with <strong data-start=\"855\" data-end=\"896\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Guns N&#8217; Roses<\/span><\/span><\/strong>, known for blistering solos and dangerous swagger. Dylan, meanwhile, was deep into an experimental phase, inviting an all-star lineup of guests into the studio\u2014including <strong data-start=\"1067\" data-end=\"1108\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">George Harrison<\/span><\/span><\/strong>, <strong data-start=\"1110\" data-end=\"1151\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Elton John<\/span><\/span><\/strong>, and <strong data-start=\"1157\" data-end=\"1198\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Stevie Ray Vaughan<\/span><\/span><\/strong>.<\/span><\/p>\n<p data-start=\"1201\" data-end=\"1365\"><span style=\"font-size: 14pt;\">Slash arrived expecting to contribute his signature firepower. Instead, he found himself navigating a session that felt, by his own later description, \u201cimpossible.\u201d<\/span><\/p>\n<h3 data-start=\"1367\" data-end=\"1408\"><span style=\"font-size: 14pt;\">\u201cThose Lyrics Are Just Nonsensical\u201d<\/span><\/h3>\n<p data-start=\"1409\" data-end=\"1705\"><span style=\"font-size: 14pt;\">The confusion began with the song itself. \u201cWiggle Wiggle\u201d features childlike lines such as <em data-start=\"1500\" data-end=\"1545\">\u201cWiggle wiggle wiggle like a bowl of soup,\u201d<\/em> delivered without irony. Slash has since admitted that he couldn\u2019t make sense of the lyrics at all, saying he had no idea what Dylan was trying to communicate.<\/span><\/p>\n<p data-start=\"1707\" data-end=\"2109\"><span style=\"font-size: 14pt;\">The lack of direction only deepened the frustration. Dylan reportedly offered minimal guidance, at one point suggesting Slash play in the style of Django Reinhardt\u2014a far cry from the roaring leads that defined <em data-start=\"1917\" data-end=\"1938\">Sweet Child O\u2019 Mine<\/em>. The session was produced by <strong data-start=\"1968\" data-end=\"2009\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Don Was<\/span><\/span><\/strong>, along with Dylan himself using his longtime pseudonym <strong data-start=\"2065\" data-end=\"2108\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Jack Frost<\/span><\/span><\/strong>.<\/span><\/p>\n<h3 data-start=\"2111\" data-end=\"2142\"><span style=\"font-size: 14pt;\">The Vanishing Guitar Solo<\/span><\/h3>\n<p data-start=\"2143\" data-end=\"2459\"><span style=\"font-size: 14pt;\">Slash\u2019s biggest shock came after the album\u2019s release. The guitarist had laid down what he believed was a strong lead performance\u2014only to discover that most of it had been cut. Dylan reportedly felt the playing sounded \u201ctoo much like Guns N\u2019 Roses,\u201d leaving Slash wondering why he had been invited in the first place.<\/span><\/p>\n<p data-start=\"2461\" data-end=\"2698\"><span style=\"font-size: 14pt;\">On the final mix, his contribution is largely reduced to rhythm textures and subtle fills. Slash later described learning about the edits only after hearing the finished album, leading to an awkward conversation with the production team.<\/span><\/p>\n<h3 data-start=\"2700\" data-end=\"2740\"><span style=\"font-size: 14pt;\">A Strange Footnote in Rock History<\/span><\/h3>\n<p data-start=\"2741\" data-end=\"3017\"><span style=\"font-size: 14pt;\">Despite Slash\u2019s long-standing discomfort with the song, the story took an ironic turn in 2014 when he revisited \u201cWiggle Wiggle\u201d for a Dylan tribute compilation alongside <strong data-start=\"2911\" data-end=\"2954\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Aaron Freeman<\/span><\/span><\/strong>. What began as a baffling session had become a cult curiosity.<\/span><\/p>\n<p data-start=\"3019\" data-end=\"3257\" data-is-last-node=\"\" data-is-only-node=\"\"><span style=\"font-size: 14pt;\">Today, \u201cWiggle Wiggle\u201d endures not as a masterpiece, but as a reminder that even legends can clash creatively. For Slash, it remains proof that when Bob Dylan is in the room, nothing\u2014not even a guitar hero\u2019s reputation\u2014guarantees clarity.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the long, strange history of rock music collaborations, few encounters are as famously awkward as the meeting between Bob Dylan and Slash. Both are undisputed legends\u2014but when their worlds collided in 1990, the result was a song so bizarre that Slash has openly admitted he never wants to hear it again. That song is&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-34600","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/34600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34600"}],"version-history":[{"count":0,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/34600\/revisions"}],"wp:attachment":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}