{"id":27084,"date":"2025-12-27T13:34:59","date_gmt":"2025-12-27T13:34:59","guid":{"rendered":"https:\/\/cnews.topnewsource.com\/?p=27084"},"modified":"2025-12-27T13:35:50","modified_gmt":"2025-12-27T13:35:50","slug":"shes-just-a-pretty-face-critics-mocked-scarlett-johanssons-tom-waits-covers-but-pete-yorn-revealed-her-husky-contralto-was-the-secret-weapon","status":"publish","type":"post","link":"https:\/\/cnews.topnewsource.com\/?p=27084","title":{"rendered":"\u201cShe\u2019s Just a Pretty Face.\u201d \u2014 Critics mocked Scarlett Johansson\u2019s Tom Waits covers, but Pete Yorn revealed her husky contralto was the \u201csecret weapon\u201d they never saw coming."},"content":{"rendered":"<p data-path-to-node=\"1\"><span style=\"font-size: 14pt;\">In 2008, the arrival of Scarlett Johansson in a recording studio was met with a &#8220;cynical&#8221; collective groan. Hollywood was littered with the &#8220;carcasses&#8221; of vanity projects\u2014glossy, overproduced albums from A-list stars looking to &#8220;colonize&#8221; the music charts. When she released <i data-path-to-node=\"1\" data-index-in-node=\"275\">Anywhere I Lay My Head<\/i>, a collection of Tom Waits covers, critics &#8220;pounced.&#8221; They called her a &#8220;pretty face&#8221; playing at being an artist, labeling her deep, resonant voice as &#8220;robotic&#8221; and lost in a &#8220;sonic fog&#8221; of reverb.<\/span><\/p>\n<p data-path-to-node=\"2\"><span style=\"font-size: 14pt;\">But beneath the layers of indie-rock &#8220;haze,&#8221; a &#8220;lethal&#8221; musicality was brewing. It wasn&#8217;t until she teamed up with indie-folk veteran Pete Yorn for the <i data-path-to-node=\"2\" data-index-in-node=\"152\">Break Up<\/i> project that the world realized they hadn&#8217;t been listening to an amateur\u2014they were listening to a &#8220;secret weapon.&#8221;<\/span><\/p>\n<hr data-path-to-node=\"3\" \/>\n<h3 data-path-to-node=\"4\"><span style=\"font-size: 14pt;\">The Anatomy of the &#8220;Contralto&#8221; Ambush<\/span><\/h3>\n<p data-path-to-node=\"5\"><span style=\"font-size: 14pt;\">The 2009 collaboration with Pete Yorn was a &#8220;surgical&#8221; rejection of pop artifice. Inspired by the &#8220;seductive&#8221; 1960s duets of Serge Gainsbourg and Brigitte Bardot, Yorn wasn&#8217;t looking for a &#8220;belter.&#8221; He wanted a &#8220;smoky energy&#8221; that could ground his melodies in reality. He found it in Johansson\u2019s natural <b data-path-to-node=\"5\" data-index-in-node=\"304\">contralto<\/b>\u2014the rarest and deepest of female voice types.<\/span><\/p>\n<ul data-path-to-node=\"6\">\n<li>\n<p data-path-to-node=\"6,0,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"6,0,0\" data-index-in-node=\"0\">The &#8220;Husky&#8221; Infiltration:<\/b> Yorn &#8220;asserted&#8221; that her low-register rasp was the emotional &#8220;anchor&#8221; of the album. While critics initially mistook her lack of vocal &#8220;gymnastics&#8221; for a lack of talent, Yorn recognized it as an <b data-path-to-node=\"6,0,0\" data-index-in-node=\"220\">authentic instrument<\/b> perfectly suited for &#8220;haunting&#8221; roots-rock.<\/span><\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"6,1,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"6,1,0\" data-index-in-node=\"0\">The &#8220;Relator&#8221; Effect:<\/b> On the lead single, her voice provided a &#8220;gritty&#8221; contrast to Yorn\u2019s sunny, 60s-inflected pop. It wasn&#8217;t &#8220;vanity&#8221;; it was a &#8220;calculated&#8221; display of indie-soul.<\/span><\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"6,2,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"6,2,0\" data-index-in-node=\"0\">The &#8220;Bowie&#8221; Endorsement:<\/b> Her debut hadn&#8217;t just been a solo whim; it featured backing vocals from the legendary <b data-path-to-node=\"6,2,0\" data-index-in-node=\"111\">David Bowie<\/b> on &#8220;Falling Down,&#8221; a &#8220;silent&#8221; vote of confidence that many critics overlooked in their rush to judge.<\/span><\/p>\n<\/li>\n<\/ul>\n<hr data-path-to-node=\"7\" \/>\n<h3 data-path-to-node=\"8\"><span style=\"font-size: 14pt;\">By the Numbers: The &#8220;Indie&#8221; Resurrection<\/span><\/h3>\n<p data-path-to-node=\"9\"><span style=\"font-size: 14pt;\">The partnership &#8220;vindicated&#8221; Johansson\u2019s musical instincts, turning a &#8220;hobby&#8221; into a certified &#8220;indie-pop staple.&#8221;<\/span><\/p>\n<ul data-path-to-node=\"10\">\n<li>\n<p data-path-to-node=\"10,0,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"10,0,0\" data-index-in-node=\"0\">16 Years of &#8220;Longevity&#8221;:<\/b> The single &#8220;Relator&#8221; has &#8220;accrued&#8221; millions of streams, becoming a fixture on &#8220;alternative&#8221; playlists long after the &#8220;vanity&#8221; labels died out.<\/span><\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"10,1,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"10,1,0\" data-index-in-node=\"0\">Gold in France:<\/b> The album <i data-path-to-node=\"10,1,0\" data-index-in-node=\"26\">Break Up<\/i> &#8220;dominated&#8221; Europe, achieving <b data-path-to-node=\"10,1,0\" data-index-in-node=\"65\">Gold and Platinum<\/b> status in France, where audiences &#8220;revered&#8221; her nod to the Gainsbourg aesthetic.<\/span><\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"10,2,0\"><span style=\"font-size: 14pt;\"><b data-path-to-node=\"10,2,0\" data-index-in-node=\"0\">No. 1 Heatseeker:<\/b> Her debut album &#8220;extracted&#8221; a <b data-path-to-node=\"10,2,0\" data-index-in-node=\"48\">No. 1 spot<\/b> on the Billboard Top Heatseekers chart, proving there was a massive audience for her &#8220;minimalist&#8221; approach.<\/span><\/p>\n<\/li>\n<\/ul>\n<hr data-path-to-node=\"11\" \/>\n<h3 data-path-to-node=\"12\"><span style=\"font-size: 14pt;\">The &#8220;Deeper&#8221; Truth<\/span><\/h3>\n<p data-path-to-node=\"13\"><span style=\"font-size: 14pt;\">Scarlett Johansson didn&#8217;t just &#8220;survive&#8221; the criticism; she &#8220;outlasted&#8221; it. By leaning into her &#8220;husky&#8221; rasp rather than trying to fit the &#8220;high-pitched&#8221; pop-star mold, she &#8220;proved&#8221; that her musical output was remarkably bold and &#8220;fashionably non-mainstream.&#8221; She chose the &#8220;difficult&#8221; path\u2014covering the &#8220;gravel&#8221; of Tom Waits and the &#8220;tortured&#8221; soul of Chris Bell\u2014showing a musical literacy that &#8220;baffled&#8221; her haters.<\/span><\/p>\n<h3 data-path-to-node=\"14\"><span style=\"font-size: 14pt;\">The &#8220;Secret&#8221; That Held Firm<\/span><\/h3>\n<p data-path-to-node=\"15\"><span style=\"font-size: 14pt;\">Critics who once &#8220;scoffed&#8221; at her &#8220;pretty face&#8221; were forced to &#8220;retract&#8221; their scripts. Pete Yorn\u2019s &#8220;secret weapon&#8221; wasn&#8217;t just a marketing hook; it was a &#8220;raw&#8221; vocal truth. Johansson &#8220;showed&#8221; the world that the most &#8220;compelling&#8221; stories aren&#8217;t always screamed from the rooftops\u2014sometimes, they are whispered in the &#8220;lowest&#8221; notes.<\/span><\/p>\n<p data-path-to-node=\"16\"><span style=\"font-size: 14pt;\">The &#8220;actress looking for a hobby&#8221; was gone. In her place stood a musician who understood the &#8220;soul&#8221; of the shadow.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Pete Yorn and Scarlett Johansson - &quot;Relator&quot; music video\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eRtydnIycCY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2008, the arrival of Scarlett Johansson in a recording studio was met with a &#8220;cynical&#8221; collective groan. Hollywood was littered with the &#8220;carcasses&#8221; of vanity projects\u2014glossy, overproduced albums from A-list stars looking to &#8220;colonize&#8221; the music charts. When she released Anywhere I Lay My Head, a collection of Tom Waits covers, critics &#8220;pounced.&#8221; They&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-27084","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/27084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27084"}],"version-history":[{"count":0,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=\/wp\/v2\/posts\/27084\/revisions"}],"wp:attachment":[{"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cnews.topnewsource.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}