In the mid-1990s, Hollywood believed it had found the perfect formula for a prestige blockbuster: pair the legendary box-office power of Harrison Ford with the rising superstardom of Brad Pitt, and let the magic happen. On paper, The Devil’s Own looked unstoppable. In reality, it became one of the most famously troubled productions of the decade—and the reason the two actors never worked together again.
Released in 1997 and directed by the acclaimed Alan J. Pakula, the political thriller followed an Irish Republican Army member hiding in New York and the police officer who unknowingly shelters him. What audiences didn’t see was that the real drama was unfolding off camera, driven by a fierce creative clash between its two stars.
A Script in Constant Turmoil
The conflict began with the screenplay itself. Brad Pitt had spent years developing the project, drawn to its morally complex portrayal of the Irish “Troubles.” His character, Frankie McGuire, was meant to be layered, tragic, and politically charged. When Harrison Ford signed on to play Tom O’Meara, a principled New York cop, he felt the balance was off. Ford wanted his character to have deeper moral conflict, not just serve as a clear-cut counterpoint to Pitt’s assassin.
In later interviews, Ford openly admitted that he pushed hard for changes, insisting his role needed more ambiguity. That decision triggered chaos. Writers were hired and fired at alarming speed, with new pages often arriving the morning of filming. Pitt, increasingly frustrated, famously described the production as “the most irresponsible bit of filmmaking” he had ever experienced and reportedly called the script “20 pages of dog****.”
Action Versus Ambiguity
At the heart of the feud was a philosophical disagreement about storytelling. Pitt wanted a dark, introspective character study that respected the political reality behind the violence. Ford, known at the time for his everyman hero roles, leaned toward a more traditional moral structure and balanced screen presence.
The tension escalated to the point where Pitt nearly walked off the project shortly before filming began. According to industry reports, studio executives intervened, reminding him that the film had already been sold worldwide based on the pairing of its two stars. Walking away, Pitt later said, would have felt like betraying the story he was trying to protect.
A Success That Left Scars
Despite its turbulent production and a budget that swelled close to $90 million, The Devil’s Own earned over $140 million worldwide. Tragically, it became the final film of Alan J. Pakula, who died in a car accident a year later.
In recent years, Harrison Ford has softened his stance, calling Pitt a “wonderful actor” and admitting he may have imposed his own viewpoint too strongly. Respect was restored—but the damage was done. The 1997 thriller remains both a commercial success and a cautionary tale, proving that even Hollywood’s biggest stars can’t always survive when creative truths collide.