In 2003, one of cinema’s most legendary careers ended not with a farewell performance, but with open warfare. The final film of Sean Connery—The League of Extraordinary Gentlemen—has since become infamous as the production that pushed both its star and its director beyond their limits. At the center of the storm was filmmaker Stephen Norrington, who would later refuse to ever return to the Hollywood system, declaring that he would no longer be “collateral damage” in battles driven by unchecked egos.
Connery, who famously defined James Bond, entered the project already frustrated with the modern studio machine. He later explained that he felt alienated by “the ever-widening gap between people who know how to make movies and the people who greenlight them.” But while studio interference played a role, insiders have consistently pointed to Connery’s explosive relationship with Norrington as the true breaking point.
A Creative War Zone
Norrington, previously celebrated for revitalizing comic-book cinema with Blade, approached LXG with an experimental, visually obsessive mindset. Connery, by contrast, represented an old-school discipline shaped by decades of tightly run productions. The clash was immediate and relentless.
The Prague set was reportedly filled with shouting matches, abrupt shutdowns, and creative stalemates. One now-legendary incident involved a prop elephant gun. Norrington halted filming for an entire day because the weapon did not meet his visual standards. For Connery—then 72 years old and already irritated by delays—the decision was infuriating. The argument escalated to the point where Norrington allegedly challenged Connery outright, daring him to throw a punch. None was thrown, but the damage was done.
Chaos Beyond the Clashes
The human conflict unfolded alongside genuine disaster. The historic 2002 Prague floods destroyed approximately $7 million worth of sets, including Captain Nemo’s iconic submarine, the Nautilus. Production delays mounted, trapping the cast—including Shane West and Peta Wilson—in a prolonged atmosphere of stress and uncertainty.
Connery’s dissatisfaction grew so intense that he reportedly involved himself in post-production, later remarking that Norrington should have been “arrested for insanity.” What was intended as a franchise launch based on Alan Moore’s acclaimed graphic novels instead became a cautionary tale about unchecked tension on set.
The End of an Era
The fallout was permanent. Norrington effectively vanished from mainstream Hollywood, disillusioned by the experience. Connery, for his part, quietly stepped away from acting altogether, with Allan Quatermain marking his final live-action role. He would later retire to the Bahamas, far from the industry he felt had lost its way.
The League of Extraordinary Gentlemen endures not for its spectacle, but for what it represents: a reminder that even the greatest legends can be undone when a film set becomes a battlefield rather than a place of collaboration.