In the mid-2000s, actress Scarlett Johansson was largely defined by her on-screen magnetism—a “sex symbol” celebrated for her cinematic roles in films like Lost in Translation and Match Point. When she announced her participation in a charity album, many industry observers and fans assumed her contribution would be little more than a celebrity curiosity. However, the release of her stunning rendition of the classic jazz tune “Summertime” proved every skeptic wrong, establishing her as an unexpectedly serious vocal talent. The track was featured on the 2006 compilation album, Unexpected Dreams – Songs from the Stars, a non-profit project where actors recorded lullabies and other songs.
A Diva’s Voice Hidden in a Hollywood Star
The critical reaction to Johansson’s performance of “Summertime”—the famous aria from George Gershwin’s opera Porgy and Bess—was one of collective surprise. The song, a demanding classic famously interpreted by legendary vocalists like Ella Fitzgerald and Janis Joplin, revealed a depth and texture no one anticipated. Critics noted her voice possessed a naturally smoky, low-pitched timbre and a surprisingly sophisticated handling of the Jazz form. She delivered the piece with a languid, almost melancholic grace, showcasing a mature vocal approach reminiscent of a 1960s Jazz diva, effectively shattering the superficial “bombshell” image she had at the time. Data Point: The Album’s Intent: The title of the compilation album, Unexpected Dreams: Songs from the Stars, had dual meaning: it referenced the songs’ themes (lullabies and dreams) and the “unexpected dreams” of these Hollywood celebrities to be recording artists. Johansson’s track, which stood alongside contributions from Ewan McGregor and Jennifer Garner, became the project’s most buzzworthy entry, drawing genuine critical attention to the musicality, not just the celebrity.
From Jazz Classic to Experimental Rock
Johansson’s successful foray into music with “Summertime” was not a one-off event; it validated her aspiration to be a serious musician and launched an unexpected side career, expanding her portfolio beyond her iconic acting roles (like the superhero Black Widow in the Marvel Cinematic Universe). Her debut solo album, Anywhere I Lay My Head (2008), was an entire album of Tom Waits covers, which received mixed but generally respectful reviews for its experimental, atmospheric style. She then collaborated with musician Pete Yorn on the critically well-received album Break Up (2009). The initial shock of “Summertime” was the crucial step, proving that her unique vocal quality and serious artistic intent could not be dismissed. Related Notable Event: The Massive Attack Remix: The lasting impact of Johansson’s “Summertime” performance was cemented years later when the pioneering English trip-hop group Massive Attack chose to remix the track for the soundtrack of the film Days of Grace (2012). This remix placed her voice—originally recorded for a soft-pop charity album—into an entirely new, gritty, electronic-rock context, demonstrating the versatility and compelling nature of her vocal texture across different genres, further cementing her status as a genuine musical collaborator, not just a novelty singer.